0 Stars - Home Alone 2: Lost in New York

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Gerard Marcus

Mikey Buishas is a Brooklyn-based artist who has the amazing ability of depicting the emotional energy of passing thoughts. His new single from his project 0 Stars, “Home Alone 2: Lost in New York,” is a one-minute melancholic tale of fear, self-analysis, and love. Buishas says his inspiration for the song was “an immediate response to Leica [his dog] barking herself awake after a baby in the adjacent apartment screamed.” In this short minute, he explains his reasoning for not reprimanding Leica, choosing instead to sympathize with her, understanding that barking in this situation is just her way of expressing fear. And everyone should be allowed to express fear without judgement. The attention of the song then shifts and Buishas turns the lens on himself, using Leica’s fear to analyze his own sadness at driving away someone he loves. But if he’s the reason for them not being there, is it fair for him to depend on them to make him feel better? It’s beautiful, simple songwriting about a complex idea, presenting its emotional weight in a tight package, allowing it to linger long after its short running time is over. “Home Alone 2: Lost in New York” is the first single off of 0 Stars debut album, ‘Blowing on a Marshmallow in Perpetuity,’ coming out August 30th on Babe City Records. Pre-order the album HERE.


Slow Dakota - Creation of the World


By Abigail Clyne

Don’t let the joyful nature of the track fool you–Slow Dakota’s new single, “Creation of the World,” is asking the big questions. The title alone hints to this track being more than meets the eye. PJ Sauerteig (Slow Dakota) is joined by Margaux Bouchegnies on vocals and Corey Dansereau on trumpet. Throughout the song, the duo ponders where their urge for expression comes from. “I can’t decide if I write from some Great hole inside,” they sing, and compare their way of creation to that of Christ, “If Christ spoke Mountain Ice all because His Life was flat and dry.”

Later, the pair wonders if their inspiration perhaps comes from a more positive place, “Or do I sing from some Great abundance, bubbling high.” In the end, much like the different expressions of God shown in the Old and New Testaments, it seems a balance has been struck. Creation, and therefore expression, comes out of both desperation and love. The constant plucking of the guitar and later addition of the trumpet allows for this self analysis to never become dour. We all need a helping hand to guide us through the weighty questions, and Slow Dakota makes it both easy and profound all at once.


Being Dead - Fame Money Death Drive By

By Gerard Marcus

I love records that makes me think, and Being Dead’s new EP, “Fame Money Death By Drive By,” is shaping up to be one of those records. A collection of five songs crafted by muti-instrumentalists Juli Keller and Cody Dosier, the EP explores themes of rebellion, privilege, authority, self-consciousness, and freedom in one wild sonic package where self analysis seems encouraged. They accomplished this not by asking any specific questions of the listener, but through their own introspection. Each of the five songs seem to point right back at their authors. Musings discovered in a personal magnifying mirror, only to then be laid down on tape. All the elements of the songs, from their lyrical content to their production style, exude a rawness of expression that says it’s ok to question what it means to be a part of this world. Now finding and answer, that’s a different story.


Slow Dakota - Canticle 69

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By Abigail Clyne

Has pornography ruined sex? That’s the question Slow Dakota ruminates on in his new cheekily-titled track “Canticle 69” (a risqué joke for the dutiful church goers who know a Canticle is a biblical hymn). The song opens on ebullient marimba and bass line pulsing continually, setting the scene for a successful sexual encounter. The falling scales and washes of sound mirroring the waves of ecstasy one hopes to feel during some good old hanky panky.

With the downward slide of the word “Easy,” PJ Sauerteig enters the scene, but he doesn’t seem to be having a good time. It seems not even this breezy intro can make things enjoyable. “Easy frankly, I’d rather have a Terabyte, a copy of a clone.” Real life sex has become gross, the sterility of porn has replaced the real thing, “Wonder when I fell so out of love with hair and spit.” In the end, he’s honest with himself, “And I can’t even keep it up I guess that means goodbye.” Why bother pretending?

The buoyancy of the track gives way at the end to a meditative spoken word section reminiscent of a biblical story. References to a man and his camel berate our singer, “They stood before my porch staring up at me with beady eyes and said ‘you ruined it, you ruined it forever.’” It seems he’s given up. The simulation has indeed superseded the real thing.

Check out more about Slow Dakota on his Instagram here.


The YeahTones - Just Another Minute


Jordan Feinstein

The YeahTones are known over at ThrdCoast for making solid rock bangers, confident in their simplicity and catchy as heck. Their new single “Just Another Minute” is deceivingly un-simple, a departure from form which manages to elevate it at the same time.

The band’s fascination with previous decades' well-worn sounds is in full force on this track, but instead of aping one, they’ve tackled three. The verses are straight 90s garage grunge, and would sound so at home in a Weezer set list you’d be forgiven for not noticing they didn’t write it (you know, just like their latest hit, Africa). But then, with some weïrd alchemical snap of the musical fingers, the song catapults into 70s anthem rock, like someone tossed a fuzz-bomb into a forgotten ELO classic. Or so says my friend with whom I consulted on this for his painfully… unabridged knowledge of rock history. Finally, with another quick flick of the wrist, the chorus resolves in a Beatles-esque denouement. And back to the 90s it goes. Rinse and repeat. And repeat. And repeat. Somehow it all works. It’s a catchy one, folks.

Check out The YeahTones in concert at on February 6th at The Knitting Factory with Caverns, Talay and Citris!