Synth pop

PREMIERE: Maarten Bayliss - People Are Patterns

Kelly Kirwan

Vancouver native and electro-psych-rock producer Maarten Bayliss knows first and foremost how to lay down a beat. He’s dabbled in remixes, the occasional film score, and most recently has released the titular track, "People Are Patterns," off his first full-length LP. It begins in a swarm of percussion—a hollow pattering you would associate with a speaker throbbing, soon joined by a soft idiophone rattling. The effect is hypnotic and ominous, like a growl of thunder in the distance. There’s a build here, and we can quite literally feel it. The video is centered around a rocky, man-made jetty stretching out into the water—the sky overcast, with just a glimmer of red sunlight on the horizon. Bayliss’ voice is imbued with a sort of swirling strain, “How can you move on / When you’re staying in one place?” he asks, in a slight rasp, never looking at the camera. He’s focused, intently striding towards the water, as he continues, “It’s not okay / ‘Cause I don’t make change.”

What is he going to do? We wonder, as he continues seaward, stepping out of frame after climbing an elevated platform at the precipice. The camera lingers on the ripples in the water, a landscape sans Bayliss, and we wonder if he jumped—cast himself into the ocean, as the ultimate reaction to a rut. But then he casually strides back into view, past the camera lens, returning to where he started. We're left as voyeurs, watching him go as his snappy arrangement fades. People are patterns. Yes, biologically, mere strands of double helix. Also sociologically—our patterns of behavior. Whatever grand scheme Bayliss is referencing, he leaves us with a striking melody and stunning visuals, certainly hoping for more.

TRACK REVIEW: The Y Axes - Meteorite

Will Shenton

San Francisco is an eclectic city when it comes to independent music (well, it's an eclectic city when it comes to just about everything, but that's a different story). When I saw that local artists The Y Axes described themselves as "space pop," I couldn't help but grin. It's a wonderfully noncommittal genre, but it's also about as accurate as you can get in so many words.

Their latest track, "Meteorite," is an emphatically energetic pop song that draws from elements as diverse as dream pop, synth pop, and dance rock—as they would say, it's "pop music for nerds." It's a great example of utilizing inspiration sparingly, and avoiding the pitfalls of derivative homage into which so many of our favorite artists occasionally fall.

These guys are clearly and genuinely self-aware, which is a rare trait even among the postmodern. They balance gleeful fun with academic intrigue, and "Meteorite" promises to be a perennial favorite as a result. I'm looking forward to seeing The Y Axes around town, and I wouldn't be surprised if the next few months see them established as household names among the hip here in the Bay.