Carol Cleveland Sings

REVIEW: Carol Cleveland Sings - Effervescent Lure

Kelly Kirwan

"So, tell me about yourself."

It's a cringe-worthy prompt, often overheard in pockets of awkward human interaction (job interviews, first dates, etc.), and even with an inward eye-roll we still carefully craft our responses and Twitter bios for a manicured response—because the question, however clichéd, does provide some insight. There's a lot to be learned from how a person describes themselves, and to prove this point, direct your attention to Exhibit A: Cleveland Carol Sings. The Philly-based band has termed their genre "Epcot Pop," and with just two words, volumes are said about their style. There's a hint of quirk, a shimmer of the uncanny, and perhaps a rose-colored lens to turn an otherwise dull reality into a world of high-definition. 

Spearheaded by Thomas Hughes (whose name you may recognize from other pursuits with The Music Tapes and Spinto Band), Cleveland Carol Sings' latest album followed a month of self-assigned writing exercises. With pages of material at the ready, Hughes struck an alliance with fellow Philly local Gretchen Lohse, whose music has leaned more towards the psych-folk end of the spectrum. With Hughes' dreamy, Euro-pop-inspired vision, and Lohse's sweetly-delivered falsetto, the two fleshed out the 18-track opus Effervescent Lure. And, as their title would suggest, it's an album that glistens. Even the slower, more muted songs have an iridescence. There's an ambiance to the LP that feels vaguely carnivalesque; it's by no means cartoonish, but Hughes and Lohse have created a world of brightly-lit colors, metallic tings, and a wistful sort of escapism. 

The album's opening track, "Motivation," catapults us into chugging percussion. A spiraling guitar line follows, then a cameo from what sounds vaguely like a pipe organ to make things just a touch off-kilter. Hughes' high, semi-nasally timbre coats the lyrics, delivering a line that could thaw even a stone-cold heart: "I saw your face reflected in minor threads of doubt and said / I'll never let you walk alone at night again." The chorus feels like a pep-rally pitch (without the accompanying insufferability), and will definitely wriggle it's way into your subconscious as Hughes repeats, "Give me that motivation / It's such a wild elation."

Then there’s my personal favorite, "Run to Your Bedroom," which features Lohse’s murmuring vocals floating over a dainty shuffle of a melody. It plays like a soothing nighttime lullaby, letting all the negativity of your day drift away as you settle into a safe haven. “Run to your bedroom / Take a long breath and come to / This’ll all be over soon / Make a chart of the stars and the moon,” Lohse sings lightly, and it's easy to just steep in the calm she elicits. 

Effervescent Lure is an odyssey of versatile and fizzy electro-pop, another testament to Hughes and Lohse being one of the top dynamic duos recording today. And once again, their title is a perfect fit; Carol Cleveland Sings are more than musicians—they're masters of the two-word description. And to that I must say: nicely done.

VIDEO PREMIERE: Carol Cleveland Sings - Run To Your Bedroom

Kelly Kirwan

“The Dylan of your era devotes a poem to you / Which only leaves you embarrassed / And not a moment too soon...” Gretchen Lohse sings lightly, her consonants melting together in a raspy, whimsical timbre, introducing Carol Cleveland Sings’ latest single, "Run to Your Bedroom." Having paired up with the Philly-based musician, Thomas Hughes (of The Music Tapes and Spinto Band), the two artists tinkered with the right mix of lo-fi, electro-psych pop, to expand their sound, which is now nuanced with a La-La land lure. Or in their words, "Epcot Pop." "Run to Your Bedroom" is both awash in a warm-weather haze and quirk—with perhaps a social commentary on our dependence to technology swimming somewhere in the mix. But fear not, it’s a soft-handed undertone, delivered with the same lazy Sunday cheer of their melody. Or just Carol Cleveland Sings out for a laugh. 

The video opens in a pastoral setting—a tableau of green and sprouts of flowers, with a computer that feels plucked straight from the 90s, sitting out in the open. A gorilla walks over, dressed in human clothes, and agrees to the computer’s request—a touch. The result is a swirl of purple smoke and emojis flooding from the virtual into reality, running amok with their new freedom. They shift in appearance upon the gorilla’s touch, who swats them away in a playful manner, rather than hastily attempting to tidy up. It’s, all in all, endearingly peculiar, cutting between footage of animals who have a superimposed emotive icon lingering over their likeness.  Run to Your Bedroom is sweet and strange, the sort of dream that leaves you with a disbelieving smile on your face in those moments after you wake.